I was born in Montreal in 1969. I completed a BFA in 1996 and an MFA in 2002 at Université du Québec à Montréal. Since the late 1990s, I have devoted myself full-time to the visual arts.

As an image-making artist, I am known primarily for my large digital montages. I have also produced several site-specific installations, public artworks, videos and a few Web art works.

My work is situated within a critical approach to the environment and urban development. In the some 20 years I spent living in a suburb, I was confronted with the spectacle of urban sprawl and the many disappearances that come with it. My approach is related to this experience and is nourished by environmental discourses, such as the problems of landscape planning. I am particularly interested in the feelings of alienation, uprooting and dislocation.

My early art practice was mainly directed toward video art. From 1996 to 2001 I worked, as a founding member, with Perte de signal, a collective devoted to emerging research, creation, and distribution in media arts. The group was quick to disseminate the works of its members to most of the international video festivals, and organized several events and exhibitions.

In the period 1998-2000, photography started to become more important in my art practice and I began to show my works regularly. Since then, my works have been widely exhibited across Canada, Europe, the United States, Mexico, Argentina and Japan. I have exhibited at the Musée d'art contemporain de Montréal, the Massachusetts Museum of Contemporary Art, the Museum of Contemporary Photography (Chicago), the Casino Luxembourg forum d'art contemporain (Luxembourg), the Neuer Berliner Kuntsverein (Berlin), the Southern Alberta Art Gallery (Lethbridge), the Oakville Galleries (Ontario), the Agnes Etherington Art Center (Kingston), the Prefix Institute of Contemporary Art (Toronto), the VOX image contemporaine (Montreal) and at the Rencontres de la photographie à Arles (France.) I've also done a number of artists' residencies around the world.

In 2001, I created my first site-specific work, which has since become my preferred art form. That work was presented on a billboard in downtown Montreal from 2001 to 2006, a project by Quartier Éphémère. In 2002, I became a member of Fresh Air, an all-woman collective interested in site-specific art practices. For the Contact Photography Festival, the group organized an exhibition in a series of garages in a Toronto laneway. In 2004, for the Champ Libre 6e MIVAEM, I created a video installation in an abandoned waste incinerator. I have also done several other site-specific works since then.

In 2005-2006, I produced two public arts works in Montreal, in particular a photographic triptych for the underground city. In 2006-2007, after an artist residency in architect John Hejduk's Wall House No. 2, I worked on a commissioned project for Noorderlicht Photography, in Groningen, Netherland.